@audiolemon said:

I think it's just whatever... I read a Future Music interview with them a few years ago. I don't think there is a great plan just whatever works. Mess about with hardware, use broken hardware, vinyl noise, scratched vinyl - CD's, edit audio with no care for discontinuities or really thinking about it at all - random, turn amps up to 11 and feedback the circuitry noise , use noise as a mod source, feedback delays with no input just the noise of cheap hardware being multiplied. There was a clear aesthetic of not caring or putting too much effort or forethought in. It had to be destructive and quick - in PD I liked wavetable distortion and modulation to make noisey stuff - drunk to osc~ and FM'd with noise.

this is highly inaccurate.