if you can do requests, i'd love to hear a beatless ambient version - basically like that end section, but for 10 minutes

I haven't performed live but I'd like to do some sound installation type stuff with it.

And I can mix a beatless version since I rendered it to multiple tracks. That will be easy...

please! your beats are great too, but i'd just like to hear the whole thing without them

with the bass or not?

Here's the mix without the drums. I'd like to make something else along these lines, but I'd rather start from scratch and try something different.

I've attached the reverb too. It implements the Lexicon 224 concert hall algorithm (with some modifications and enhancements), as described here: http://www.convexoptimization.com/wikimization/index.php/Dattorro_Convex_Optimization_of_a_Reverberator

I've posted it here before. I need to make it more intuitive to use, and permit external control, but I haven't gotten around to it. I can use it well enough, but I think others will find it confusing.

http://www.pdpatchrepo.info/hurleur/reverbCH.zip

The basic idea is that the different notes triggered (and they're fixed here, just for simplicity) also randomly change a different subset of the FM parameters. That way the sounds are different from note to note, but not completely unrelated. I basically recycled it from the example I posted on the FM feedback thread...

http://www.pdpatchrepo.info/hurleur/i2a_fm.zip

That reverb blows my mind. Congrats.

big round of applause for your hard work and great sounds.

:0)

I've attached the reverb too. It implements the Lexicon 224 concert hall algorithm (with some modifications and enhancements), as described here: http://www.convexoptimization.com/wikimization/index.php/Dattorro_Convex_Optimization_of_a_Reverberator

Oh my gosh.. That's one of the highest quality reverbs I've heard (surely in pd). What do you mean by "Lexicon 224 concert hall algorithm"? Is it one "preset" of lexicon 224? Or was it a specific device implementing it?

I'm curious about the way you implemented the many elements shown in the Datorro diagram (allpass, delays) and the feedback lines.
Question: can we use your patch (giving proper credits, of course?)

@acreil said:

I've posted it here before. I need to make it more intuitive to use, and permit external control, but I haven't gotten around to it. I can use it well enough, but I think others will find it confusing.

I completely missed that one. Yes, giving high level controls would be nice.
Lexicon 224 was a terrific device (I just remember the Blade Runner intro by Vangelis, the huge spacey sounds).

Thanks for sharing it.

Alberto

The thing is, I don't know how the user adjustable parameters of the 224 mapped to the actual coefficients, etc. I've changed a few things to make it more to my liking. But for this topology I think there's not even a way to derive an accurate RT60 control...

Anyway, feel free to use it.

I can't state enough how great it is to finally have good algo verb in pd.

In the meantime - could you extend a few useful pointers for getting control over this path? Is there a handful (list?) of parameters that I could globally control to effect decay time?

Also I see a ton of $1 objects but they aren't being found - ex:
error: 0-prl: no such object
error: 0-prr: no such object
error: 0-gscale: no such object
error: 0-ldiff2: no such object
error: 0-ldiff2o: no such object
error: 0-ldiff1: no such object

Though I may not have the latest version...

Thanks!

This wasn't really designed with good coding practices or usability in mind, so these message boxes should probably be hidden away; I just made everything visible so the "preset" parameters can be edited manually. The new one I'm working on has an inlet that can be used to externally control parameters, but I was too lazy for that when I did this. I could add that without much trouble, but the parameter names aren't particularly well chosen...

Having a good time with this one for sure.. but devising an RT60 control for it is alluding me.